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Following
What Fascinates Her
by Taryn
When Almeta
Whitis takes the stage, people of all ages and walks of life quiet
themselves and listen and watch attentively. With each performance,
she delivers simple universal truths with her soothing voice, deliberately
paced speech, and poignant gestures. Using song and chant, and drawing
on oral traditions from her ancestral roots--African, Native American
Cherokee, Rom or "Gypsy," and European--she helps to preserve the
ancient art of storytelling.
But one can't
sum up who she is simply by calling her a storyteller--not by far.
In her career, she has worked as an actress, a director, dancer,
choreographer, stage and television producer, a high school teacher,
minister, counselor, motivational speaker--you name it and the woman
has probably been involved. She has been called a Cultural Heritage
Specialist; others insist that she is a performer and educator.
She holds a degree in Development Planning, and is the founder and
director of Chanticleer Productions and Inner Voice Theatre, an
arts-in-education consulting company. Yet if you ask her how she
describes herself, she will say something like this: "I believe
that, in this lifetime, I have been gifted as a teacher, a priestess,
and an artist, utilizing historical, cultural, and spiritual aspects
in all projects that I undertake." That's more like it, eh crafty
gals?!
"Storytelling
is in my heart, my mind, my spirit, my very being...I feel humbled
and thankful, for this I was created."
Almeta's organization,
which she founded in 1995, is named Chanticleer, which means "dawn."
(If the word sounds familiar, it may bring to mind the image of
a rooster, which is correct--in storytelling circles, the rooster
is known for calling back the dawn each day.) Through it, she develops
storytelling programs, residencies, and workshops for school districts,
theatre programs, and other educational organizations.
The motto written
on her business card is "Follow What Fascinates You!" the title
of a story she heard told by feminist storyteller, Susan Orr at
the Scottsdale Arts Festival. In the story, Almeta shared with me,
Susan presented "a pantheon of historical women and their achievements.
She explained to the audience that in order to create or construct
anything of lasting beauty and permanence, we must all rediscover
the passion that fuels our lives and follow what fascinates us."

Storytelling
is something that fascinated Almeta from a very early age. "I first
became enamored with stories told to me by my mother, Mrs. Emma
Whitis. Once I attended school, I would learn the stories told to
me each day in order to take them home and share them with my younger
sisters and brother. I quickly learned that I could use stories
to make friends, as we moved around quite a bit." She also learned
that stories heal. In developing and teaching her craft, she has
learned to "help participants create a safe, sacred space for sharing
with one another, a space that has always existed for the release
of healing creative energies."
In 1996, Almeta
worked with high school students in using stories and ritual theatre
for a yearlong visual art project designed to end racial violence
there. She was commissioned to facilitate a weeklong residency of
theater, music, dance, and cross-cultural communication workshops,
and direct a Performing Arts Ritual production for the stage and
video. The video includes performances and visual artwork, as well
as student statements about the project and "the real change effected
in their personal beliefs and the community as a whole."
Over and over
again, Almeta has watched the process of storytelling "bring the
fragments of [people's] lives and relationships, both personal and
professional, into focus, as they learn how to integrate their body,
mind, and spirit in order to live richer, fuller lives...finding
their own individual inner balance."

Storytelling
also preserves our cultural and spiritual heritage. Respecting the
past connects us with the present and also brings us closer together.
Several years ago, Almeta worked as Lead Artist on a project with
students called "Telling Our Story--Northeast Rochester, 1950-1970."
It involved a photography exhibit of community people, a literary
manuscript, and culminating ritual performance art piece celebrating
the life of Mrs. Mildred Johnson, a longtime community activist.
"To
honor the spirit within each other is the highest form of worship.
We are kin to each other."
Recently, she
and musician Allen Hopkins
presented workshops for elementary and middle schools based on the
life and works of Phyllis Wheatley--the African-American who was
America's first published woman poet. Through her work, Almeta explains
that she "endeavors to touch the heart and the spirit in ways that
are common to us all--a common ground place that transcends the
divisions and separations that we create in our minds."
No matter who
you are, or what time you live in, it is very challenging to "follow
what fascinates you." Almeta found that her path led to storytelling:
"Storytelling is in my heart, my mind, my spirit, my very being...I
feel humbled and thankful, for this I was created." For you, it
could be something else, and it may take a while to discover. But
finding the courage to be our creative selves is always difficult
and many times we are our own greatest barrier.
Almeta admits
this is true for her as well: "Any struggle that I experience comes
when I am judging myself by my perfectionist standards and find
myself wanting. Once I become aware of who I really am and understand
that I am beloved just by being me, then I can get out of the way
and allow the spirit of Divine Oneness to shine forth."
She continues
to believe that it is always worthwhile to find your bliss: "Ben
Franklin once said that 'Those who would give up part of their liberty
for security, deserve neither.' ...Over the years, I have held many
jobs and today what I know is that the work that I choose today
is what fulfills me. Money cannot buy that kind of satisfaction."

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A
Few of Almeta's Awards
1999-2000:
Selected as one of 255 nationwide for the "Most Skilled & Experienced
Community Artist" by the National Endowment for the Arts and Mid-Atlantic
Arts Foundation
1999: "ONI
Award"--International Black Women's Congress
1997: "Artist
of the Year"--National Chapter of Young Audiences Inc. (selected
from over 3,000 artists in 32 chapters nationwide)
1997: Invited
delegate to the First International Storytelling and Education
Conference in the Peoples Republic of China
1996: "Clifford
Bell Community Service Award - Africana Folk Art" from the Africana
Research Museum/New York International Africana Institute
1996: "Helen
E Quinn Service to Education Award" from Alpha Alpha Chapter of
the Delta Kappa Gamma Society International
1996: "Distinguished
Scholar Public Service Award" from Alma Mater SUNY Brockport
1995 and 1996:
"Recognition for Outstanding Volunteer Service Award" from the
Butler Correctional Facility, NYS Department of Corrections
1995: "Lay
Educator of the Year" by unanimous decision from Phi Delta Kappa
1993: "Decade
of the Child Award"--from the Governor of NY for "her valuable
and sensitive work with the children and families of New York
State"
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